恍如希臘神話代達羅斯的迷宮，別出心裁的螺旋形設(shè)計時裝表演，令升任高級時裝品牌藝術(shù)總監(jiān)的艾利斯，繼承大師成為巴黎時尚界新寵。棄絕過去一切，自我孤立另創(chuàng)新天，但當父親死訊倏然傳來，他不得不返回魁北克故居處理后事，不料發(fā)現(xiàn)令人震驚的秘密。害怕天之驕子蠟造翅膀被溶掉，他唯有承傳父親罪孽，直墜無間地獄。延續(xù)《監(jiān)護權(quán)爭戰(zhàn)》對父權(quán)暗黑暴力的探索，勒格朗混合新黑色、驚栗、懸疑等類型，層層旋入男性心理黑洞，撰成現(xiàn)代悲劇神話。

故事改編自真實事件，揭露隱藏在新聞背后、鮮為人知的殘疾院舍真相。新聞社接獲一宗有關(guān)殘疾院舍“彩橋之家”虐待院友的線報，偵查小組為揭露殘疾院舍監(jiān)管問題，記者曉琪（余香凝 飾）潛入院舍，揭發(fā)內(nèi)里的非人道生活，尋找日光之下的殘酷真相。

故事改編自真實事件，揭露隱藏在新聞背后、鮮為人知的殘疾院舍真相。新聞社接獲一宗有關(guān)殘疾院舍“彩橋之家”虐待院友的線報，偵查小組為揭露殘疾院舍監(jiān)管問題，記者曉琪（余香凝 飾）潛入院舍，揭發(fā)內(nèi)里的非人道生活，尋找日光之下的殘酷真相。

《白日之下》是一部真實事件改編的電影，講述了新聞社接到關(guān)于“彩橋之家”殘疾院舍的虐待線報。為深度揭露殘疾院舍內(nèi)的非人道生活和監(jiān)管問題，一名記者決定潛入院舍，展開一場尋求真相的行動。

影片由四個小故事組成。

　　Synopsis　　In the Allegory of the Cave, Plato ponders: what would happen if one of the prisoners managed to free themselves from their chains and escape from the cave? What if that prisoner were Jay, a little 7-year-old boy?　　Director’s statement　　What lies behind the daily movement of a city? Last winter, we met in Paris and began discussing the Allegory of the Cave, as told in Plato’s Republic. The myth imagines humanity living in chains, facing the back of a cave, and watching shadows move on the walls, thinking it is reality. We both work with images, which certainly can be illusions, but can also become instruments of struggle and liberation of thought. So, from this discussion, we decided to create a short film. We had a few fixed ideas—the cave, the dance, the city bustling around us—and one question: what would happen if we all managed to turn together towards the exit of the cave? Perhaps it is not enough to assert that images are illusions as long as the chains that bind us are real.

佟天麒曾是國內(nèi)頂尖舞者，因動作失誤，導致隊友受傷，從此一蹶不振，頹廢潦倒的佟天麒，陰錯陽差成為了富豪少爺小安的看護。展開了一段雞飛狗跳的另類生活。小安的堅強與善良打開了佟天麒的心扉，讓他重拾對街舞的熱愛，為小安等人組建了街舞隊，究竟小安這群孩子能否突破重重艱難獲得街舞冠軍；佟天麒又能否解開心結(jié)，重新站上他一生摯愛的舞臺……

六歲的男孩折民民在一次意外中，失去了雙腿，折民民母親也因為過度悲痛，在去醫(yī)院的路上從懸崖掉落，失去了生命。父親折保軍付出了常人難以想象的艱辛將殘疾的兒子撫養(yǎng)長大，不料因常年操勞，自己卻得了絕癥。為了不影響兒子，折保軍只能隱瞞病情，在有限的時間里盡量為兒子鋪好以后的路。不成想折民民其實早已知道父親病情。一個殘疾、內(nèi)心被現(xiàn)實打擊得千瘡百孔的兒子；一個年邁、身體被病痛折磨得油盡燈枯的父親，在最后的日子里，父子二人相依為命，獲得了彼此的救贖，留下了人世間最真摯的愛的印痕。

影片靈感源自2020年6月在報紙上刊登的一篇描寫某少女壯烈人生的報道：出生在殘缺家庭、沉溺于毒品的少女，遇到了打破常規(guī)的刑警和采訪重獲新生設(shè)施的周刊雜志記者，開始了回歸正軌的道路。但是，就在她抓住一絲希望的時候，絕望的現(xiàn)實卻向她襲來。

The storyline tells of how 42-year-old Teresa changes her holiday plans and spends the summer with her mother, Ani. However, living together day and night after so many years is not easy for either of them. Used to living alone, it’s hard for them to agree on even the most trivial of things. Nevertheless, this enforced cohabitation will also bring certain revelations for both o...

　　東北荒村里，兩個做壞事的人遇到另一個做壞事的人，他們團結(jié)起來一起做壞事，由于太軟弱，讓他們做不成壞事，竟總像在做傻事。黑色幽默，是荒涼，是荒誕，是荒唐，也是荒廢。一切都讓人發(fā)慌，也許發(fā)笑。

As World War II is going on in Europe, a conflict arises between the French and the Diola-speaking tribe of Africa, prompting the village women to organize their men to sit beneath a tree to pray.