弗蘭剛剛辭去在她男朋友店里作為新娘顧問的工作，每一次出現(xiàn)在百老匯制片人麥克斯威爾-謝菲爾德家門口的臺階上叫賣化妝品。麥克斯威爾家里的保姆在他的小兒子上演了一出"自殺"的鬧劇后提出辭職，弗蘭不失時機(jī)成為他家三個孩子的保姆。不久，弗蘭以其不落俗套的教育方式和求實正直的態(tài)度感動了麥克斯威爾和孩子們。于是出現(xiàn)了藍(lán)領(lǐng)遇貴族的情境。弗蘭通過向古板正經(jīng)的麥克斯威爾及其問題多端的孩子略施一計"奎恩邏輯"，贏得了麥克斯威爾和孩子們的心，幫助他們建立起了一個身心健康、美滿、幸福的家?！　「ヌm對麥克斯威爾的三個孩子的影響，盡管有時并不是他們的父親所期望的，但確是孩子們所需要的。在弗蘭的照料下，麥琪從一個膽小害羞的女孩成長為充滿自信的年輕女子；布萊頓是位惡作劇大師，他剛剛發(fā)現(xiàn)追逐女孩的樂趣，并沉緬于他個人建立的信托基金中。格蕾絲曾是多愁多病身，而因為有了弗蘭，她再也不用每天去看臨床醫(yī)生了。奈爾斯是這個家庭的男管家，他以犀利的目光注視著眼前發(fā)生的一切。他發(fā)現(xiàn)弗蘭有將溫情帶入這個家庭的天賦，認(rèn)定弗蘭是這個家庭將來的女主人，并表現(xiàn)得比新郎更加殷切地希望弗蘭入主?！　≤畿缡躯溈怂雇柕纳虡I(yè)伙伴，她總以一種猜忌的眼光看待弗蘭，把麥克斯威爾視為囊中之物。在幻想遭到挫敗之后，茜茜轉(zhuǎn)向奈爾斯示愛，但是，她又遭到了拒絕。 娶了弗蘭之后，麥克斯威爾還需同弗蘭的老媽塞爾維亞夫人競爭。塞爾維亞夫人每天在麥克斯威爾家進(jìn)出自如，并試圖以她自己的方式來影響女兒和這個家庭。 弗蘭最好的朋友瓦爾總是給弗蘭提建議，搞得弗蘭的邏輯與相對論相差無幾。

　　Fran has had a pen pal named Lenny since the first grade. Fran and Lenny, through their letters, get along famously, almost like boyfriend/girlfriend. They agreed early on never to exchange photographs, but Lenny, coming to New York, wants to meet Fran in person. Maxwell is anxious to meet Lenny as he feels he's in competition with Lenny. Fran, on the other hand, is nervous to meet Lenny as she has exaggerated who "Fran Fine" is in her letters. But Fran agrees to meet Lenny at the Russian Tea Room, each identifying the other by the red rose worn on their lapels. Again, Maxwell is anxious to see Lenny, and accompanies Fran to the Russian Tea Room and stays with her until Lenny shows up. Fran and Maxwell are having a nice enough "date" of their own while they wait for Lenny, so nice that Fran almost doesn't care if Lenny shows up or not.

　　Upon returning home from Paris, Fran couldn't be happier when C.C. says Maxwell just hired her for her looks. To find out if this is true, Fran tries dating a blind guy. Meanwhile Maxwell tries to back-peddle after what he told Fran on the plane.

　　If not for C.C. walking in on them, Maxwell and Fran would have done it in the hospital bed next to Niles. After the fact, Fran is encouraged that finally something is happening between them. Maxwell on the other hand is still uncertain, and gets some glib advice from Niles to preoccupy Fran with some meaningless project, like redecorating a room, to give him more time to figure out what to do. Fran sees right through what Maxwell's doing. Sylvia sees Maxwell's ploy as letting Fran into his life and his home, especially as the room in question is the sanctuary: the kitchen. Fran initially wants to do all the work herself, much like Maxwell's first wife, Sarah, did with the house, but Sylvia convinces Fran to enlist the help of Fran's flamboyant decorator cousin, Sheila.

　　On Fran and Maxwell's honeymoon aboard the yacht, Fran falls overboard and Maxwell jumps in to rescue her. They manage to make it to a deserted island. There, they have some good times and bad times in their survival, but the worst ends up being a poisonous bite that Maxwell receives. He thinks he's going to die, but luckily for him, Fran watched daytime television in the past which gave her the necessary skills to tend to his illness. Meanwhile, they are noticed missing when the yacht docked at its first port without them. The Sheffield kids, Sylvia and Niles fear the worst. After a week of the Coast Guard not being able to locate any sign of Fran and Maxwell dead or alive, C.C. decides to take matters into her own hands.

在19世紀(jì)的奧地利，熱情叛逆的西西與皇帝弗朗茲·約瑟夫墜入愛河，同時還要應(yīng)對維也納宮廷的脅迫、陰謀和權(quán)力斗爭。

2009年9月初的一個清晨，全世界的目光都投向了斯德哥爾摩一個不起眼的郊區(qū)。一架直升機(jī)降落在該國最安全的現(xiàn)金倉庫的屋頂上，警方只能眼睜睜地看著劫匪帶著數(shù)百萬美元消失，一槍未發(fā)。《天降大劫》是一個狂熱而荒謬的故事，以背叛與洗冤、恐懼與父權(quán)為中心。但也許深層含義是：一部描繪勝利或失敗的快節(jié)奏伊卡洛斯故事，具有非凡意義。

一名男子被一名有權(quán)勢的政客女兒猛烈追求，后者不惜一切想的到他。他于是鋌而走險，試圖讓自己的生活重回正軌

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Eve Myles returns as Faith Howells as she attempts to navigate the fall out of her marriage break-up, while taking on an emotionally wrenching legal medical case involving a gravely ill little boy. 　　Bradley Freegard as Evan Howells and Mark Lewis Jones as Steve Baldini are joined by Olivier award-winning Celia Imrie (Victoria Wood: As Seen On TV, Dinnerladies, Best Exotic Marigo...

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改編自美國著名的同名小說，交織以幽微迷離的現(xiàn)代場景，刻畫人性的孤獨疏離與精神困境。